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Welcome to the Cashman Law Firm, P.L.L.C. blog covering intellectual property topics such as patent law and patent litigation. We are located at 5142 Darnell St., Houston, TX 77096. Our phone number is 713-364-3476.

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Cashman Law Firm, PLLC, a Houston, TX law firm helps clients protect their inventions by filing for a patent, enforce their inventions when companies try to steal or infringe the patents [through licensing, negotiations, sale, or if necessary, a patent litigation suit], and protects the inventor and his company by protecting the inventor's assets, property, or home against foreclosure should it become in the inventor's interest to close up shop and file bankruptcy.

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Wednesday, August 24, 2016

Dallas Buyers Club sues Voltage Pictures for suing defendants using the Dallas Buyers Club, LLC name, but not sharing proceeds.

It is 12:30am and I really do not have time to go into this, but I just learned that Dallas Buyers Club, LLC is suing Voltage Pictures, LLC in Montgomery County, TX for, among other things, not paying fees to Dallas Buyers Club for the licensing fees owed to them.

[Hat tip to SJD @ FightCopyrightTrolls for breaking the story.  Her link to the lawsuit can be found here.]

It appears from the TX case filing (Cause No. 15-06-06049) that Voltage Pictures, LLC approached Dallas Buyers Club, LLC and offered to pay for the license to act as Dallas Buyer’s Club’s agent so that they can sell the film abroad and… so that they can file lawsuits against John Doe Defendants across the US. Part of this agreement appears to be that Voltage Pictures was permitted to use Dallas Buyer’s Club’s name.

Well, now we learn that Nicholas Chartier and Voltage Pictures are being sued because after making all of the sales and suing all of the John Doe defendants for copyright infringement, Voltage Pictures is accused of cheating Dallas Buyers Club out of their earned licensing fees.

I feel as if I just fell down a rabbit hole…

Thus, whenever we saw a Dallas Buyers Club, LLC lawsuit, and whenever we represented a client against Dallas Buyers Club, LLC, we were really representing them against… VOLTAGE PICTURES, LLC?!?

This brings me to the Fathers & Daughters Nevada, LLC cases.  Did Voltage Pictures, LLC make the same licensing deal with the Fathers & Daughters movie producers, and are they also not paying them the money that is due to them?  When we see a Fathers & Daughters Nevada, LLC case, are we really representing clients against the makers of the Fathers and Daughters movie? Or are we representing clients against VOLTAGE PICTURES, LLC who is parading as Fathers & Daughters Nevada, LLC and claiming that they are Fathers & Daughters Nevada, LLC, when really they are not?!?

This also makes me ask who the attorneys for the Fathers & Daughters Nevada, LLC are really representing? Are Josh Wyde and Gary Fischman suing on behalf of Fathers & Daughters Nevada, LLC? Or are they suing on behalf of Voltage Pictures, LLC pretending to be Fathers & Daughters Nevada, LLC?  I know Josh is watching this blog, so please feel free to comment.

Who is their client? Voltage or Fathers & Daughters Nevada?

Last question, and then I’m going to sleep. Will Voltage Pictures, LLC soon be sued by the real Fathers & Daughters copyright holders for failure to pay the licensing fees, proceeds, and sales from the monetization of the Fathers & Daughters movie copyright? Have the same facts that are coming out with the Dallas Buyers Club, LLC lawsuit also transpired with the Fathers & Daughters Nevada, LLC copyright holder?

One more thought — a while back, I was concerned that perhaps the shell companies that were created for various movies were not properly funded. [Well, okay, I backed away from that accusation, but that was on my mind.]  The original thought was that production companies made movies, and to limit their liability, we understood that they set up shell companies as limited liability companies so that if something went wrong or if, say, Dallas Buyers Club caused damage to someone and they were sued, fined, sanctioned, or otherwise held liable for damages from their activities, those damages would be contained to the Dallas Buyers Club, LLC limited liability entity, and they would not trickle “up” to what I thought was the Voltage Pictures, LLC production company.

However, now we see that Voltage Pictures, LLC is NOT the production company, but a LICENSEE (one who signs an agreement to acquire a license to sell or act on behalf of the copyright holder [the licensor]). Thus, this brings me back to the entity that was formed to sue John Doe Defendants in federal court. Dallas Buyers Club, LLC, and Fathers & Daughters Nevada, LLC (the two Voltage-related companies that are currently on my mind). Are they properly funded? Who owns them, and who are the real parties acting through them? Voltage Pictures or Dallas Buyers Club? Voltage Pictures or Fathers & Daughters? Who is providing the funding for them?  And did they properly notify the court of this arrangement when they filed the lawsuits against the John Doe Defendants?

Wow, when they say that there is “no honor among thieves,” they weren’t kidding.  First Keith Lipscomb is sued by Malibu Media, LLC for not paying them the royalties and/or funds received through Lipscomb’s Malibu Media, LLC v. John Doe lawsuits across the US, and now Voltage Pictures, LLC is being sued by Dallas Buyers Club, LLC for the same thing. I also want to point out that Liberty Media also sued their lawyer, Marc Randazza (although the circumstances were different, and if what Marc wrote in his defense was true (e.g., that they used his office desk to shoot adult films), both Liberty Media and Randazza are both to blame, but for different reasons). I also remember when Prenda Law Inc. stopped paying their local counsel here in Houston the fees and commissions he earned through the filing of the lawsuits.

So… in sum, is this the scenario of thieves stealing from thieves as we have seen before? Or is this an example of “copyright trolls stealing also from their own clients”?? Wow, this field of law has skeletons hidden in closets all over the place.


Filed under: Uncategorized

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Tuesday, August 23, 2016

Off Topic: “Group Buying” Through The Eyes of Piracy.

I was reading an article called “Collaborative Intellectual Property Purchasing” by a blogger called Close to Anonymity. In his article, he clearly describes the concept of “group buying,” and suggests that it is one method to provide a solution to the piracy problem. The problem is that in many circumstances [as the copyright laws and DMCA statutes are in their present form] “group buying” is illegal.

NOTE: While he approaches the topic from an honest and upstanding discussion on how to provide a “fix” to the copyright statutes, this article is a dark, cynical, and corrupted view of the topic from a jaded view of the law. This article approaches the merits and faults of group buying, but it does so by viewing it through the eyes of a “pirate.” Up front, I ask for the forgiveness from the author.

Collaborative buying, or “group buys” is something that you will find on various bittorrent websites (not public websites like Pirate Bay or what was KAT, but more often on “private” file sharing websites which host “private” trackers). To get access to these websites, you usually need an invitation and need to know someone who knows someone, etc. The private tracker sites are often topic-specific, so if you are looking for art-related books, you’ll go to one bittorrent website which hosts this kind of content, and if you are looking for business-based torrents, you’ll go somewhere else.

The idea as I have seen it in practice is that someone posts a proposed “Group Buy” on a forum for a digital product. This can be a DVD course, a piece of software, or anything that can be copied and shared online. This digital product costs, say, $100, so to get the price down to $10 per person, the user proposing the group buy will ask for ten people to commit to spending $10 a piece. I am not aware of how the funding happens (e.g., through an intermediary website), but one person will purchase the product on behalf of the group, and they will share it with the other users who participated in the purchase. I suppose the group buy participants believe that they are not “pirating” the software or the media because they each contributed a few dollars to purchase it, and in a way, they are right.  However, the law disagrees.

As for the legality of group buys, copyright licenses for multimedia products and software often think in “one purchase, one license, one copy, [or, one purchase, one installation]” terms. You see this concept of “one purchase, one copy” on full display when trying to view a digital copy of a book purchased by your local library via the Overdrive app.  If a library has purchased one copy of an ebook or an audio book, they can only allow that one digital copy to be “taken out” by one user at a time, even though the technology is there to share the ebook or audio book with all of their patrons at the same time.  It’s a silly model for a library to prevent all of their patrons from accessing the copyrighted content at the same time, and my best guess is that if they were to negotiate unlimited licenses, then the cost of licensing the content to the library would be significantly higher, perhaps on the level of a scribd, or a Netflix.com.  Thus, they opt to buy the “one copy” and they strictly adhere to the “one copy owned, one copy available for use” copyright model.

In the context of piracy and group buys, when one end user purchases the product and shares that product with ten other individuals (each of whom paid a proportional share of the cost of the product, and each of whom install the software product on their machines and use the same serial code to activate the product), when the software “phones home” to authenticate the same serial number for the ten computers, the software developer sees the 9 users as “infringers” and the original purchaser as someone the one who is responsible for the piracy, and they’ll deactivate the software for everyone.

Similarly, when group buying something as simple as a movie or a DVD title, the individual who breaks the copy protection on the DVD and provides copies of the cracked DVD to a number of his friends who contributed to the purchase is seen as both violating the DMCA laws (breaking copy protection), and violating the copyright statutes because that user copied the DVD without authorization from the production company.

Thus, the copyright rules and the DMCA rules do need to be updated to stop piracy. I commend the author of the “Close to Anonymity” blog for proposing a viable solution to making products more affordable to end users while at the same time providing the content creators (the copyright holders) with extra money and sales through the group buy. The solution will not stop the “piracy problem,” but allowing for group buys on a large scale can at least mitigate (somewhat) the damage that copyright holders claim to suffer at the hands of piracy.

I am jaded somewhat, however, and I cannot stop the nagging feeling that group buying will never be legalized. The content producers will claim that group buying would hurt their sales, in that if the nine (9) users were unable to get together to purchase the $100 piece of software, if at least two (2) of them paid the full $100 for it, then the content producer would have made $200 in sales, whereas with group buying they would only be making a $100 sale. Thus, they would not go for such a concept.

Similarly, I cannot imagine the lawmakers [who are showered with benefits for voting in line with the MPAA / RIAA lobbyists] would ever try to make content more readily available to end users. If you look at the way lawmakers have voted over the years, copyright statutes only get worse and worse for the public, not better. Case in point (and I am going by memory here without checking this fact) — the statutory damages for copyright infringement were not always $150,000 in the US. This ever-increasing statutory damages limit is the doing of the lawmakers who I can only think had their pockets lined for voting in favor of harsher and harsher penalties for copyright infringement.  Between you and me, I am already of the opinion that the statutory damages for copying one video, music, or copyrighted work are already unconstitutionally high, but good luck getting a judge to rule this way.

Lastly, in the author’s article, he mentions the idea of a group buy for a $1.29 hypothetical song called “Hey Moe.” If the copyright holders knew that multiple individuals could purchase their same song in a group buy settling (e.g., increasing the price to $1.34 by having one purchaser pay $1.24 [a discount] and the other purchaser pay $0.10), while the solution proposed by the author would provide the copyright holder with a $1.34 sale, the “greedy” copyright holder would sulk at the $1.24 in lost profits by claiming that if such a group buy were not available, both purchasers would have paid $1.29 each for the song.

[How would they see lost profits? $1.29 x 2 sales = $2.58 in sales – $1.34 for the group buy sale = $1.24 in lost profits.]

Thus, the realistic result [if a “group buy” framework were legalized and made possible when purchasing copyrighted media] is that the “greedy” copyright holders would steeply increase the price of the media so that the “net” amount they make is the original $1.29 per copy that they would have made were there no group buy in the first place.

In sum, group buying is a great idea and it should be considered when revising the copyright statutes. But practically, because copyright holders in my experience are profit-driven to a fault (greed), and lawmakers are corrupt to a fault, I do not think we will ever see group buying being made legal in the near future.

However, for the pirates out there on private trackers, “group buying” will remain a viable method of obtaining new content to be shared first with the participants of the group buy, and then later with the members of the website. I am by no means encouraging or endorsing the practice, but with things as they are, group buying seems to be the most “ethical” (and still yet illegal) way to obtain content without paying full price for it, and bittorrent websites seem to provide the perfect forum for allowing such a practice to happen. In my opinion, if the bittorrent website only shared content with members who “bought in” to the group buy without sharing it with anyone else, that would be the closest to an ‘ethical’ solution (and yet it would still be illegal). A less ethical solution is to allow each user to buy in after the fact, making the product progressively cheaper-and-cheaper with every downloader “buying in” to the group buy, and thus crediting every previous purchaser’s account every time a new downloader “buys in” to the group buy after the fact.

But then again, through this example, I just made the point of the copyright holder. Eventually with group buys [after-the-fact], the product price would become infinitesimally small, and the copyright holder would only have made one sale of the product, which would then be shared with potentially hundreds or thousands of downloaders. This is copyright infringement in the classic sense — the unlawful copying or duplication of a copyrighted work, and one sale through a group buy would not adequately compensate the copyright holder for the purchase of his work.

In sum, the copyright system is broken, there is piracy, and until the content producers work with end users to make their content more readily available, or they price their products correctly to the point where they could capture the sale of a majority of those who would purchase their product, there will remain end users who might have purchased the product if it were more available or priced lower, but who instead turn to piracy to obtain that media because of the unavailability of that content for a price that the “market” can bear.


Filed under: Uncategorized Tagged: bittorrent, group buying, private trackers

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Wednesday, August 10, 2016

A rant about Hollywood and poor quality content and distribution.

I thought that TAC’s response to my article last night deserved a spot of its own, so I am pasting it below.

In short, he’s right. As a lawyer, I get so caught up with each individual client and defending whether copyright infringement actually happened or not that I overlooked the big picture “elephant in the room” point — that if the movie production companies would actually make good content which would inspire someone to buy a movie ticket, and if they would make that good content readily available rather than blaming downloaders for a few bucks of loss of revenue, then piracy wouldn’t even be a problem.

I used to be a movie buff. I would see every movie in the theaters, and if there was something I missed, I would catch it later when it came out on DVD. However, the… pardon my language… “crap” that has been coming out of the theaters over the last ten years has lost me as a fan. I cannot remember the last time I saw a movie and felt that I got my money’s worth. More often then not, I leave the theater feeling cheated.

The internet created a problem for the movie companies where it enabled average internet users to share digital copies of movies which [by definition of being “digital”] are the identical quality as the files burned on DVDs from which they are ripped. They tried to stop the copying through creating privacy measures that blocked an individual from being able to copy videos, but individuals got around those protections.  Then they passed the Digital Millennium Copyright Act (“DMCA”) statutes and made it a crime to unblock the copy protections, but people did it anyway.  Then they sued the downloaders and claimed they were going after the lost revenue, but instead, they went after statutory damages of $150,000 per instance of infringement.  In the process of suing downloaders (rather than suing the initial uploader or working to take down the infringing videos), with the birth of the Dunlap Grubb and Weaver, LLC Voltage Pictures, Inc. “Hurt Locker” and “Expendables” lawsuits, Voltage Pictures, Millennium Films, and other production companies turned their failed b-rated movies into a money-making extortion-like shakedown scheme where they asked for tens of thousands of dollars for what was really the loss of a movie ticket or a DVD rental.

The point is that Hollywood and their production companies spend so much time trying to clamp down and stop people from getting content that if they spent those same dollars finding new ways to make content readily available, they would stop the piracy problem (or at a very minimum, they would convert many would-be pirates into paying customers).  Netflix, Amazon Prime Video, and Redbox have the right idea of trying to find ways to get movie content into consumers’ hands, but even they run into licensing problems where the Hollywood movie studios won’t let them provide content to their subscribers (and thus great movies and TV shows are commonly lost to history).

[Case in point — The Stargate TV series (Stargate SG-1, Stargate Atlantis, and Stargate Unvierse) — all AMAZING shows, but there was a point that Netflix took them down from their site citing licensing issues, and if you wanted to see them, you would have needed to either buy the DVDs on Amazon, or “look elsewhere” for them (meaning, piracy).  I would have happily paid more to Netflix to keep them available, even in a “click here to pay a bit more to see this video” fashion.  UPDATE: I am happy to share that Amazon Prime provides all seasons of these shows to their paying customers, so yes, Jeff Bezos is doing his job of making content available.]

This argument has gone around in circles for many years. Point being, the movie companies have obviously chosen that their focus will be to clamp down and spend their money to fight the losses from piracy rather than innovate and make good content that would inspire people to open their wallets and pay for a movie ticket or rent a DVD.

This is my point, this is my feeling, this is how I see things. I could be wrong, but who cares. Unless I see quality new content in the theaters (and not recycled old story lines), I’m not buying a ticket. Superman versus Batman?!? Really? Yet one more Borne Identity?!? Really? Ice Age in Space?!? Really? How many times can I hear the same story told over and over again? I’m honestly bored of all of this recycled media crap and I wish they would start looking for new and original content.

Thus, in all fairness and thanks to “That Anonymous Coward (TAC),” below is his comment to last night’s “We are winning the bittorrent piracy war against copyright holders, but what are the unintended consequences?” article which inspired this entire line of thought.

TAC from that anonymous coward :
 

And there in lies the biggest problem.
People look at Popcorn Time, and don’t understand how it works. They might assume that its just an awesome service. It works like everyone imagines we should be able to get content.

The “war” has always been pointless.
Everything done to “stop” pirates, ends up punishing paying customers… and eventually when you hassle paying customers enough they look for other ways to get the content.
We’ve missed out on technology moving forward, because of screams that it MIGHT hurt the bottom line of an industry that has its own special ‘accounting’ practices that manage to make a world wide blockbuster look like it lost money.
They aren’t honest about their books, they aren’t honest about actual harm, they aren’t honest about why they refuse to stop punishing paying customers & creating more consumers that might turn to piracy because it meets their want for the content how, where, when they want it that the industry can’t seem to understand.

When they cling to an outdated business model, ignoring the consumer demand for access, they have forgotten they are in business to sell content… not impose pointless control over people who already paid them who get treated worse for playing by the rules.

Imagine what they could have done with all of the time and money they have dumped into the anti-piracy schemes (that never pay that well or accomplish what is promised) and had used it to “fix” the horrible patchwork of laws & rules to create a unified worldwide business model that makes getting the content customers want faster & easier. But then they would be making more money they they ever imaged possible… but would still be imagining there is a dollar out there they aren’t getting & end up harming paying customers chasing the imaginary dollars.


Filed under: Copyright Trolls, Millennium Films, P2P, Peer-to-peer, Torrent, Voltage Pictures Inc. Tagged: content, copyright infringement, copyright trolls, distribution, piracy

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Thursday, June 16, 2016

What to do about the Siemens Product Lifecycle Management Software Inc. v. Does case (TX).

This is one of the more difficult blog entries to write, because the “Siemens Product Lifecycle Management Software Inc.” case is not the typical bittorrent extortion case, but rather, more of a “compulsory licensing” case.

In short, it would be too easy to say that the 100 John Doe defendants were implicated as downloading or uploading Siemens’ CAD software using bittorrent, because this is not the case. Siemens’ software appears to “phone home” when being used, revealing the computer users IP address (thus making them a target in a lawsuit such as this one).

Cracks and keys probably were part of the software download package, if the software was downloaded via a website. Alternatively, the download instructions perhaps instructed “to block the internet connection using a software firewall,” but the downloader forgot to read the instructions.

Lastly, some of the defendants are believed to have purchased the software (e.g., while the software license itself could cost $20,000, the pirated copy cost $50), but the software they purchased was pirated. Thus, when they entered the key to register the software, the key was flagged as being a pirated copy.

In short, Siemens is a software company looking to stop the unlicensed use of their software, and for this reason, they filed the Siemens Product Lifecycle Management Software Inc. v. Does 1-100 (Case No. 4:16-cv-01422) lawsuit in the U.S. District Court for the Southern District of Texas.

The weird part for me about this case is that there are so many software solutions out there which would accomplish the result for significantly cheaper.  The Siemens software modules appear to be commercial and high-end, which is more than a typical engineer would need to do their work.

So… what to do now. If you purchased a pirated copy or downloaded an unlicensed copy of the software, all is not lost. This is why you will be hiring an attorney — to speak to your plaintiff attorney and “make it right,” whether that means purchasing a copy after-the-fact, or signing a licensing agreement for the months or years the software was in use.

If you are a business owner, or if the software is in use in your engineering company (or on the laptops of your employees) without authorization, you are the plaintiff’s prime targets, and the licensing strategy will likely be more comprehensive.

If you have absolutely nothing to do with this lawsuit and yet you were implicated as a John Doe Defendant, well, this happens too, and I’d be happy to represent you telling them that there will be no software licensing deal, and that there will be no payment to the plaintiff copyright holders.

The immediate concern is that like all copyright infringement “John Doe” lawsuits, your plaintiff copyright holder has been given permission by a federal judge (here, Texas Judge Keith Ellison) to issue subpoenas to the internet service providers to hand over the subscriber contact information to the plaintiff attorney by or before a certain date.  That date is quickly coming to a close, so this is why you have been trying to contact our firm to figure out your options in how to proceed.  I’d be happy to discuss these with you, obviously time permitting.


Filed under: Robert Riddle, Uncategorized Tagged: compulsory licensing, copyright infringement, copyright troll, Robert Riddle, Siemens, Siemens Product Lifecycle

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Monday, February 8, 2016

Does Malibu Media leak its porn before the release?

Malibu Media, LLC has formed a habit of suing defendants for downloads that appear on the bittorrent networks literally a day or so after they are supposedly “published” on their website. The videos themselves are not copyrighted often for another three-months.

When questioned about this tactic, they claim that their activities are legitimate because U.S. copyright law gives a content creator up to three months after “publication” to file their copyright with the U.S. Copyright Office. They are correct about this three-month rule.

However, I am convinced that their stated “publication” is really no publication at all. It’s a scam to make the accused downloader think that Malibu Media, LLC has copyright rights over ALL of the videos they claim in their “list” of infringed videos, including even those videos that were “published” just a day or so before they appeared on the bittorrent websites.

Why do I think that Malibu Media is faking their “publication” requirement in their lawsuits? Because according to the statutory definition of “Publication,” posting a new porn video onto their website is more of a “public performance,” and that does not satisfy the requirement for “publication.” (see, 17 U.S. Code § 101 – Definitions).

Here is the text of the statute:

“Publication” is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display, constitutes publication. A public performance or display of a work does not of itself constitute publication.

In sum, I suspect that there is a legal argument that “publication” is not actually happening with the Malibu Media, LLC lawsuits. While I have not hashed this out yet completely, I have been working on this theory for some time now, and I believe it may be a viable argument. However, for those attorneys who troll this blog and will immediately jump on me saying “of course it is published,” step out of your box and come over to my side of the room. The view is a bit better here.

I am merely mentioning this issue as food for thought. Anyone who wants to contribute to this legal argument, I’m more than willing to hash this out. And of course, read SJD’s article because it demonstrates the publication issue very nicely.

Fight © Trolls

It was proven beyond any doubt that Prenda seeded their smut on Bittorent to entrap hapless file-sharers. Given the striking similarities between Prenda and Guardley-driven copyright shakedown outfits, including Lipscomb/X-Art/Malibu Media, it wouldn’t be unreasonable to believe that the Karlsruhe-Miami-Malibu cartel’s hands are not so clean in this respect either. Indeed, numerous defense attorneys asserted that Malibu either seeds their porn itself, or someone does it with its blessing. Even Jordan Rushie, before he started doing errands for Lipscomb, suggested that

When considering litigating the “swarm theory,” Malibu was faced with the prospect of dozens of defendants, joined in their common defense against the plaintiff, with an initial seeder who very well may have had a license to publish the works to BitTorrent or elsewhere. [FN: Malibu’s investigation company, IPP, Ltd., was previously called Guardaley, Ltd. While it had that name, it was accused of being the seeder for swarms…

View original post 1,295 more words


Filed under: Copyright Trolls, Malibu Media LLC, P2P, Peer-to-peer, Torrent Tagged: copyright, copyright troll, John Doe, Malibu Media, Publication

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Wednesday, January 27, 2016

Beware of the defense attorney “copyright trolls” too.

I started writing this article because there is too much conflicting information floating around the web (likely from attorneys who are trying to use fear tactics to scare you into settling with their firm), and my point was that there are credible websites, such as “Fight Copyright Trolls,” “Die Troll Die,” and a few others who have been helping individuals understand that IGNORING A COPYRIGHT INFRINGEMENT CLAIM AGAINST YOU CAN OFTEN BE A VIABLE OPTION TO RESOLVE THE PROBLEM (WITHOUT SPENDING $$$$ ON A LAWYER), so beware of the attorneys who tell you that you will lose your home, your life savings, or any other fear-of-embarrassment-and-exposure-or-financial-ruin-based argument as to “why you should settle anonymously through them for cheap, or else you might lose everything.”

I circled back to this topic in the end, but this article ended up being a “buyer beware of attorney settlement factories” article, where an attorney or his team of lawyers is trying to lure you into being part of their high-volume settlement business.  In this article, I give you the red flags to look for to spot these attorneys, and I hope this helps clarify some of the conflicting information you get from speaking to different attorneys where one attorney pushes you to settle and where another (e.g., I) suggest that you just ignore it.

“SETTLEMENT FACTORIES” are what I call these law firms. These law firms hire multiple attorneys to track down, solicit, and lure accused defendants into hiring them “for a cheap and anonymous settlement.” From a business perspective, more attorneys for the business owner means the ability to make more phone calls to solicit more accused defendants [to process more settlements], and the ability to “capture” more clients for their law firm means more profits. And, rather than actually negotiate a good settlement for their client, they run what I refer to as a “volume business” where they pre-arrange a price with the copyright holder which is above the market (copyright troll profits). Then, instead of actually negotiating a settlement, they’ll hand over the names to the plaintiff attorney and get the high-priced mediocre settlement for their client.  In return, the copyright troll allows that so-called attorney to not have to negotiate the settlement for each client, since they have a “fixed settlement amount.”  As far as I am concerned, this means that the so-called defense attorneys are part of the copyright troll problem, in a “cottage industry” sort of fashion.

What compounds the problem is that negotiating the settlement is only HALF of the solution. The SETTLEMENT AGREEMENT itself must also be negotiated, particularly because the “boilerplate” settlement agreements contain ADMISSIONS OF GUILT and UNFRIENDLY LANGUAGE which does not properly release the client from liability, nor does it properly protect the client’s rights.

For me, where writing this article will become infuriating is that suddenly these attorneys and their “beefed up” staff of hired attorneys will now start advertising 1) that they spend the time to actively negotiate the best settlement for their client, and 2) that they take the careful time to negotiate the terms of the settlement agreement so that the accused John Doe Defendant will be released from liability and the negotiated terms will properly protect the client’s rights.

If I see this, all I could say is “caveat emptor,” do your own research on:

1) How long that attorney has been in practice [REMEMBER: “Copyright Troll” mass bittorrent lawsuits targeting multiple “John Doe” defendants have only been in existence only since 2010, so any attorney who claims he has been fighting copyright trolls for 20 years is obviously lying.],

2) Check the attorney’s blog to see the HISTORY of his articles — was he one of the first attorneys who fought these cases, or is he a new “me too” copycat attorney who is standing on the shoulders of giants? (after reading this, no doubt these attorney will now add “older” articles to make their website look older), and

3) Check the blog article itself for “SEO OPTIMIZED” content, or “KEYWORDS” placed into the article.  Ask yourself, “was the purpose of this article to provide me valuable information? or was the purpose of the article to bulk it up with keywords so that search engine spiders will reward the author with first page rankings on the search engines?

4) Last, but not least, check the EARLY ARTICLES of the blog to see whether the attorney actually tried to fight these cases and hash out the legal arguments, or whether they were merely reporting on the lawsuits already in existence to attract new business.  I call these attorneys “me too” attorneys, and you can usually spot them because all they do is report the cases.

NOTE: I write this article cringing a bit because I myself just added an e-mail form at the bottom of my articles so that people can contact me if they had a question. I also dislike trashing another attorney or law firm because that simply makes me look bad. I also have a secret, and that is that I was one of the first group of attorneys contacted by EFF to figure out the “John Doe” mass bittorrent lawsuits, and so I have an advantage over the “me too attorney” both legally and information-wise as to the history of these cases, who is who, and which copyright “troll” uses which strategy in fighting a case, and under what conditions will a copyright holder accept a settlement, and how far they will bend in their settlement price. I also spend a lot of time on what I call “situational awareness,” knowing not only the law, and not only the personality of the copyright holder AND the mannerisms of the local copyright attorney hired to sue defendants in a particular set of federal courts, but I also know when a judge is going to dismiss a case (based on his past rulings), and I know when the copyright holder’s local counsel is pressured because of activities that happened in other cases, or whether they are under pressure to resolve a case because they have already have asked for two extensions from the court and I know they will likely not receive a third extension because the judge has expressed an intent for the plaintiff to begin naming and serving defendants.  This is the difference between a copycat and an original.

I also say with no shame that in 2010, I and a small handful of attorneys were contacted by the Electronic Frontier Foundation (better known as EFF) to help understand and resolve the developing copyright troll problem back when ISPs began sending letters out to their subscribers informing them that their ISP would be handing out their contact information and their identity to the plaintiff attorney / copyright holders unless they filed objections (or, “motions to quash”) with the courts. Thus, I credit the EFF for even noticing the copyright troll problem and contacting us to figure out what to do about it.

Unfortunately (or, fortunately, however you see it), that initial list of 20 attorneys has grown to over 100+ names, and some attorneys have negotiated with EFF to list them as representing clients in multiple states, hence increasing their visibility in an ever-growing list of lawyers. These are usually the “settlement factories” I referenced above, and again, caveat emptor.

Let’s pretend, for a moment, that you did not like me or my use of pretrial strategies (often making use of federal procedure) to defend a client. Or, let’s pretend for a moment that I could not take you as a client (e.g., because my case load was full, or because I did not have time to speak to you about your matter). Because there were only a handful of us attorneys on the original EFF list who knew anything about these copyright infringement lawsuits, over the years, we have become friends and have helped each other out on many of the lawsuits in which we represented both John Doe Defendants and “named and served” defendants. Some of these attorneys are still around today, and some have moved on to other areas of law, or they have stopped taking clients because fighting mass bittorrent cases has become more burdensome than the effort was worth (especially when some copyright holders do not play fairly in discovery [think, Malibu Media, LLC]).

Finding “that special client who will pay my fees to fight this case to trial” for many attorneys has become an unrealized pipe dream, and is something us attorneys often discuss.  If you truly want to fight your case, I have nothing wrong with either me, or anyone else I trust representing you in your lawsuit (I will happily tout another attorney’s merits and advanced skillsets when speaking to clients). AND, I will happily refer you to someone if I find that one of my peers would better assist you.  I *DO NOT* believe in referral fees, nor do I “share the workload” with other attorneys (this is code word for “I referred you this client, so pay me a piece of the legal fees you receive and call it paying me for my “proportional efforts.”), something that is often done in my field which, in my opinion, needs to stop. This is also why I have upset a handful of non-copyright attorneys who know nothing about these cases who have called me with a client they would like to refer to me (coincidentally, asking to share in the fees, but not in the work).

So in hindsight, while I thought I’d be reintroducing “copyright troll” subpoenas and basic copyright infringement concepts to clear up some conflicting information found on the web, instead I am providing a clear warning to those who are being actively solicited by law firms. A law firm simply should not be calling you or contacting you to solicit your business.

There is a lot of conflicting information on the web about copyright trolls, and what to do when you receive a subpoena from your ISP, what to do when you receive what is often known as a “DMCA notice” (usually signed at the bottom by Ira M. Siegel) that you have violated a copyright holder’s rights [by what is often the download of a “B-rated” film or more shockingly, that you have been accused or caught downloading pornography through the use of bittorrent (and you thought you were private), and now you want to settle the claims against you anonymously, or you want to make this go away as quickly as possible].

All I could say is STOP AND CONSIDER YOUR OPTIONS, BECAUSE IGNORING A CLAIM OF COPYRIGHT INFRINGEMENT CAN OFTEN BE A GOOD IDEA (and, when I speak to clients, I do ask them questions about the claims against them, and IF THEY CAN IGNORE, I do suggest that they DO NOTHING.) Even in a lawsuit — DOING NOTHING MAY OFTEN BE YOUR BEST STRATEGIC MOVE, as counterintuitive as that might sound.

But when you are bombarded with attorneys and law firms who actively market their fear-based services by using “Google AdWords” (ethically or unethically “buying” more well known attorney’s names as keywords so that THEY show up at the top of a search when you search for another attorney after doing your own research on who to trust, yes, you know who you are), and those attorneys then have their “assistant” attorneys calling you and pushing you to anonymously settle the claims against you, think twice. Is this person trying to get you to be yet one more client in their “volume” business??

In every one of my calls, I discuss what I call the “ignore” option which in many people’s scenario is a viable option. In many cases, I even push a client towards the “ignore” side of things.

[NOTE: There are many political reasons I have for this, such as “not feeding the troll,” or “not funding their extortion-based scheme,” or simply because I have been trying to change the copyright laws to limit or hinder a copyright holder’s ability to accuse or sue an internet user for the violation of that copyright holder’s copyrights, but NONE OF THOSE REASONS ARE REASON WHY I SUGGEST SOMEONE I SPEAK TO IGNORES THE CLAIMS AGAINST THEM.]

Sometimes an individual’s circumstances allow them to ignore the lawsuit filed against them (or the copyright violation claimed against them in the DMCA notice) simply because of 1) the individual’s financial situation, 2) the location of their home, 3) the location of the plaintiff attorney, 4) whether that copyright holder authorizes his attorneys [and pays their fee] to “name and serve” defendants and move forward with trial, 5) for strategy purposes, e.g., the psychological impact of having one or more John Doe Defendants ignore the claims against them (while other defendants rush to settle in fear of being named and served), or 6) simply because ignoring is the better option in that person’s situation.

But my point, MY POINT, ***MY POINT*** IS CAVEAT EMPTOR. If the attorney you are speaking to is running your case as a volume business, or he is pushing you towards a “quick anonymous settlement” without showing you the merits of either 1) IGNORING, or 2) if in a lawsuit, defending the claims against you, beware, beware, beware.

The EFF list of attorneys who handle “mass bittorrent John Doe lawsuits for copyright infringement violations” has grown to over 100+ attorneys, and I have never even heard of some of these attorneys (which means that they are not defending cases, but rather, are running a volume-based settlement factory). I also see a number of names where I know for a fact that some of the attorneys listed in various states are NOT LICENSED to practice law in that state (neither on the state level, nor on the federal level) — this is a clear sign of being a volume-based settlement factory. I also know from my own experience defending clients that some of the attorney names on this list have switched sides and are now suing defendants.

…Just do your research, ok? And when a lawyer calls you, and then calls you again (and again), please ask yourself why they are following up with you.


Filed under: Copyright Enforcement Group (CEG-TEK), Copyright Troll Attorneys, Copyright Trolls, DMCA Scare Letters, Torrent Tagged: copyright troll, settlement factory

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